Roman Polanskis Repulsion Essay -- Film Movies

papistic Polanskis Repulsion Analysis of an aspect of visual form in the get hold of Repulsion In the 1964/65 film Repulsion by papistic Polanski, the story is about the conflict between reality and fantasy or sanity and insanity inside the main characters object sing played by Catherine Deneuve. Therefore the narrative technique of symbolism is used to display visually to the films audience what happens to carols mind. In this particular instance, the degeneration of sings state of matter of mind is symbolised. Carols state of mind degenerates, or breaks mountain because of her repulsion of masculinity in a sexual context. Through Carols eyes, we identify masculinity as being aggressive, obsessive, crude/sexually suggestive, rapacious and sinister, and although these ar masculine traits, they are not a affluent representation of males/masculinity in society. Therefore one can jut that Carol has misunderstood and become really wary of men. She is a very pretty woman and the film uses her to display an almost stereotypical womanhood weak/ fragile and delicately featured ironically, the complete opposite to Carols own get word of men. And so, overall, the film basically represents male subordination and female vulnerability. Also to highlight the difference between Carols reactions to men and her reactions to women, the writer has chosen to place her character in a beauty front room. This is used to represent a pleasant only superficial world against a nasty one through Carols eyes that is. From the beginning, one can tell that there are exhalation to be elements of surrealism in the film by the style in which the attribute are run. These opening credits run generally upwards (I enjoin generally as some of the credits are at angles but still maintaining an upward-ish direction) over an extreme close-up shot of Carols face, and similarly some credits turn oning on-screen at her top eyelids whereas some finish by rill off- screen. During the film, we see Carol go to work at the beauty parlour. By the camera-man shooting over her shoulder, a personal view of her life and how she sees life around her. If the camera was used as her eyes, it would take up made these scenes too subjective and too unsubtle. We can therefore face at the same things as Carol, but for our own sakes, though this does cease a certain ambiguity. For example, when Carol walks to work, she looks at an empty, da... ...late with the moulder rabbit and the cut-throat s require on it. This could symbolise that she is on the razors edge and that it is rotting her mind away. It is unclear why Carol has become repulsed by men and sex. It is suggested that it is to do with something or even someone in her past, e.g. she might have been sexually abused by an older person. Maybe that is why she is repulsed by the landlord and in her irrationality, she attacks him. She also regards the photo of her when she was young with happiness. That, along with the bells and the sound of girls running around dubbed over the film at that point, could suggest that she went to a convent school, which are all girls, and therefore makes her feel safe and protected, as the beauty parlour does. Carols neurosis of life might be that she see men as sexual objects only, not as real people, and so she is repulsed. Then one can ask, why is she repulsed by this? And the only contingent answers are that she might have been abused in her childhood, or something else occult and psychological of a very sexual nature affected her ass then. But it is extremely hard to say exactly what, since we are neer shown any part of her past.