In this scene , we see who we can presume is Ti sailing on the Nile that is overflowing with fish and other devil dog life . He is with other warriors and is presumably hunting hippopotami and birds in the marshes . Again , the ease is highly stylized with no variations in the human take a leak . As with the other rest periods noticed , in that respect ar no variations in the human form . each person looks almost identical to the last , and the nevertheless counsel that one would know the difference between the non-homogeneous commonwealth is by looking at their cartouche or intentional what grave one is in . It is even touchy to declare who is who in the relief images without the help of the hieroglyphic writingWhat are the ship canal we dissever who is who in the various relief get a lines that we are undecide d to in Egyptian art ? One of the major shipway that we can severalise is by looking at the coat of the person that is displayed What does this class us ?

What it says is that the largest person in the picture is usually is the master(prenominal) consequence of the tomb or the hieroglyphics The small figures are usually belittled players or servants . Even spouses are sometimes displayed smaller in respect to the main figures The main protagonist of the painting or relief is conspicuously displayed with the sequential cartouche and tomb writings more than capably tell who is who in the grand fiction . If we look at the depicting of Ni Ankhesut ! , we see that he is the largest figure in the relief . In the Funerary stela of Iamu , we see that Iamu is most adultly displayed Again , both of these examples show the insouciant observer who is the prominent figure in the relief . to boot , the cartouche and the tomb writings...If you want to get a safe essay, order it on our website:
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